INTRODUCTION
The study of signs, portents observed in the physical and social worlds indicating the will of supernatural agents and the course of future events, was undoubtedly important in all ancient cultures.
The first written evidence for a concept of sign, however, comes from cuneiform texts of ancient Mesopotamia. The study of signs from gods was vitally important for ancient Mesopotamians throughout their history. The first references to diviners and divination are already found in the written sources of the third millennium B.C., which indicate a number of professional titles (see Falkenstein 1966). Among the early examples of celestial divination one can point to the cylinders of King Gudea, who needed an auspicious sign (giskim in Sumerian) from his divine master Ningirsu, confirming his consent for building a new temple in Lagas. This evidence from the twenty-second century B.C. is the earliest that clearly attests to the idea of signs in heaven and that omens conveyed divine decisions (Rochberg 2006: 337-38, 346-47). Subsequently, consulting the will of the gods is a well- attested practice in ancient Mesopotamia, accompanying every significant political or private action or undertaking.The omen lore of the third millennium B.C. must have been of oral nature, because texts recording omens do not appear in Mesopotamia until more than a millennium after the invention of writing.[1] The first written samples of omen collections using the list format are attested in the texts from the Old Babylonian period onward. According to N. Veldhuis, the list as a traditional text type in Mesopotamia was put to a much wider use in that period than previously. Word lists had existed from the very beginning of cuneiform writing, but in the Old Babylonian period
... an entirely new set of lexical texts was invented and put to use in the scribal schools....
Lists are used to explain writing, Sumerian vocabulary, grammar, and mathematics. List-like texts are used to record laws, medicine, and omens. The list becomes the privileged format for recording knowledge. The list-like format of the omen compendium, therefore, indicated that this is scholarly knowledge. It connects to the conventional format of a knowledge text, a format that was expanded and explored in particular in the Old Babylonian period (Veldhuis 2006: 493-94).By establishing the format of knowledge text, the systematic omen recording into lists could begin. Under long processes of adding and editing, these collections grew into compendia of ominous phenomena, where segments of original observations were expanded into very comprehensive omen series, found in the archives and libraries of first-millennium B.C. Mesopotamia (see Maul 2003). These omen compendia were given both practical and theoretical value, which explains comprehensiveness of the phenomena recorded in the collections, as practically everything observable in the universe could have an ominous import to mortals.2 * The holistic worldview of the ancient Mesopotamians assigned a firm place to every object and event in the universe according to divine will. Thus the incipit of the celestial omen series Enuma Anu Enlil suggests that the gods Anu, Enlil, and Ea themselves designed the constellations and measured the year in primeval times, thereby establishing the heavenly signs. Accordingly, Mesopotamian divination was an all-embracing semantic system designed to interpret the whole universe.3 The belief that the entire universe is causally connected is an Ionian Greek invention (Scurlock 2003: 397), but a forerunner of it is already found in the Babylonian Diviner’s Manual (ll. 38-42):
The signs on earth just as those in the sky give us signals. Sky and earth both produce portents though appearing separately. They are not separate (because) sky and earth are related.
A sign that portends evil in the sky is (also) evil in the earth, one that portends evil on earth is evil in the sky (Oppenheim 1974: 204).As the divinatory texts testify, not all omens occurring in the cuneiform series were observed in the real world, because many examples describe phenomena that are impossible and could never occur.4 This indicates that simple observation and recording was complemented by theorization and systematization. The original practical purpose of omen collections was later expanded, and even superseded, by theoretical aspirations (Oppenheim 1964: 212). When every single phenomenon in the world could be considered as a possible object for recording in the spirit of examination and divinatory deduction, one can see in this attitude an early example of the encyclopaedic curiosity, which is the basis for all scientific endeavor (Bottero 1992: 127). Once an element of ominous import was uncovered, Mesopotamian scholars were able to record it extensively in hypothetically varying circumstances, sometimes creating attenuated and increasingly arcane sequences (Guinan 2002: 19). The format of the knowledge text endorses speculation in its own right, which comfortably steps over the boundary of the observable.5
The worldview represented by the omen series is not irrevocable determinism, in the sense that every event is causally determined by an unbroken chain of prior occurrences. The
omens revealed a conditional future, best described as a judicial decision of the gods, who gave “a verdict against the interested parties on the basis of the elements in the omen, just as each sentence by a tribunal established the future of the guilty person based upon the dossier submitted to its judgement” (Bottero 1992: 142). It is best described as an assembly of gods making decisions concerning the course of world’s affairs and the fate of human beings. In the Mesopotamian system of sign interpretation, the portent which predicted, for example, the king’s death, was not the cause of the king’s death, but only the sign for it.
The prediction was considered solely a warning that could be diverted by ritual measures provided by the series Namburbi.6 The heart and core of these release rituals is an appeal from the part of the person affected by an evil omen to the divine judicial court, in order to effect a revision of the individual’s fate, announced by a sinister omen (Maul 1999: 124-26). The metaphor of the court of law promotes the presentation of the omen as a communicative sign sent by an angry god whom the ritual serves to appease (Koch, this volume). The Mesopotamian omen texts had diverse origins, and among several of their functions was to represent the god-given “laws” of divination (Fincke 2006-2007).It seems reasonable to insist that for ancient Mesopotamian societies the omens recorded in compendia enjoyed the status of the “laws” of the divine world order. As a consequence, the process of interpretation of a sign was understood as a performative act that empowered the interpreter, while simultaneously promoting the cosmological system upon which mantic exegesis was based (Noegel, this volume). The unique window into how everyday divination worked in a framework of royal power is provided by numerous letters and reports sent by the Neo-Assyrian scholars to the kings Esarhaddon and Assurbanipal. The omens and other lore of the Mesopotamian scholars represented divine wisdom that ideologically originated in primeval times of the antediluvian period, but which was being continuously updated and outlined by the scientific methods of the day (Veldhuis, this volume). The omen compendia and their commentaries represented both speculative sciences and the most valuable practical means for predicting what was about to happen.7 The speculative and practical aspects are also present side-by-side in Mesopotamian law codes, and similar cyclic processes of omen collecting and law collecting may have applied to the creation of both kinds of compendia (see Westbrook 1985).