Alternative History
In the early 2000s, when members of the Archaeographic Expedition of Zaporizhia State University, led by Professor Anatolii Boiko, went to the villages of southern Ukraine to collect oral testimonies about the Ukrainian famine of 1932-3, they were in for a surprise.
Nothing that they had known or read previously prepared them for what they found in the attics and back rooms of peasant homes. Waiting to be discovered were memoirs, histories, and personal notes written by generations of Ukrainian peasants between 1917 and the mid-1970s. It started with one manuscript; then came another and another. In 2005 Boiko and his colleagues published their unexpected bounty in a two- volume collection of more than a thousand folio pages.1The Zaporizhia collection includes diaries, family histories, and reminiscences that passed into journal entries and memoirs of people born in the southern Ukrainian steppes in the late nineteenth and early twentieth centuries. Some of them stayed in the village all their lives, while others moved to the towns, and some even found themselves abroad after the Second World War. In an era when the official confiscation of diaries or memoirs could cost the author his liberty or even his life, it was fairly uncommon to keep such records. Quite a few autobiographies were written, but usually not for the purpose of telling the truth about one's life - rather to conceal it, explain it in an appropriate light, or deny an utterly 'incorrect' social origin, presence on occupied territory, or the existence of relatives abroad. Diaries were usually kept by schoolchildren, scholars, and writers; memoirs were written by generals and certain political figures. That was known to all even in Soviet times, but few (including the authorities) suspected that such efforts had also been made by 'people from the street.'
Historians of the Soviet period have lately begun to publish studies of diaries and memoirs written 'from below.' Featured here are the records of workers who wanted to become writers; participants in the revolutionary events of 1917; autobiographies of party members and Communist Youth League activists or Baptists (many of whom came from Ukraine).2 The emphasis in present-day humanities scholarship and historiography on the study of cultural development and identity formation (social, national, cultural, gender, and so on) makes these sources particularly interesting to the researcher.
To be sure, sources of this kind cannot be considered wholly reliable in elucidating many events of the past. Nevertheless, such sources are indispensable when it comes to studying the imaginings, views, and cultural identities of broad social strata. It has been argued that when the authors of so- called autobiographical narratives took up their pens, they did so in an attempt to make sense of the cultural disintegration and social disorder of the early decades of the twentieth century. Given the total ideological control that prevailed in Soviet times, autobiographical narratives gave their authors a chance to maintain and cultivate a certain degree of spiritual autonomy. At a time when all members of society were supposed to become faithful believers in a radiant communist future, even declarations of 'unbelief' in ideals officially proclaimed and inculcated by the repressive machine, to say nothing of clearly articulated protests against officialdom, should be considered a form of intellectual resistance. The narratives published in the Zaporizhia collection provide examples of just such resistance and demonstrate the illusory nature of the totalitarian control exercised by the communist utopia over the thoughts of Soviet citizens.Most of the autobiographical narratives published to date come from every milieu but that of the peasantry. There have been publications of memoirs of former peasants who later made brilliant careers, mainly in the Soviet army, as well as of many anti-Soviet emigrants, including General Petro Hryhorenko (who also came from southern Ukraine),3 but documents written by peasants themselves were either unknown or generally remained beyond the ken of scholars. The authors of all seven autobiographical narratives included in the Zaporizhia collection came from the village. To some degree, all the authors retained features of the peasant mentality, and in this sense, in one way or another, they reflect the attitude of the southern Ukrainian peasantry to the social upheavals and perturbations of the twentieth century.
This is characteristic of the diary of Ivan Yaroshenko (1885-1956), who moved to the city rather late and, even as an urban dweller, remained above all a peasant in his interests and preferences. The same applies even more strongly to the family history of Vasyl Rubel (1897-1966), continued by his brother Tykhin (1916-2002), and to the memoirs of Mikhail Alekseev (1893-1986) and Oleksandr Zamrii (1890-1972), who spent their whole lives in villages or, as in Alekseev's case, in a small town. They all received only a primary education, and in this respect they represent the views of a rather numerous stratum of the first twentieth-century generation of literate peasants. The memoirs of Mykola Molodyk (1906-92) and Serhii Cipko (1917-2001), who left their villages as young men and received much better educations, offer interesting comparative material for studying the transformation of the world of the 'urbanized' peasant. Molodyk's memoirs exemplify the reminiscences of a first-generation intellectual, while Cipko's are those of an emigrant cast out of Ukraine by the events of the Second World War. All the authors come from the same region of Ukraine, and the juxtaposition of their narratives is thus of particular interest: the material published in the Zaporizhia collection offers grounds for preliminary but rather well-founded generalizations on a whole host of questions associated with images, views, and evaluations of twentieth-century developments in southern Ukrainian society.Before examining some of these views and images, it would be useful to determine why our authors took up the pen in the first place. The question can be answered rather easily in the cases of Zamrii, Mol- odyk, and Cipko: their records belong to a fairly large category of memoir literature dating from the second half of the twentieth century, generally produced by authors nearing the end of their lives for the purpose of drawing conclusions from their experiences and leaving a spiritual legacy to their descendants.
Alekseev's memoirs can also be included in this category, but only in part. It is apparent from his records that he began to make entries as early as 1915: they later fell into the hands the GPU (General Political Directorate, a predecessor of the KGB), and Alekseev had to start writing all over again. Yaroshenko began to keep his diary in 1917. In the 1920s, far from the end of his life and any idea of drawing conclusions on the basis of it, Vasyl Rubel wrote his family history. What was it that drove these people? Most probably, the very idea of creating autobiographical family narratives came to them from the upper strata of society, where memoir and diary literature had been especially popular at least since the 1860s.Hundreds of diaries and memoirs dating from the late nineteenth and early twentieth centuries, written by members of the gentry and representatives of the intelligentsia who sprang from various social origins, are known today. The recently published diaries of Mykhailo Hrushevsky may serve as one of many examples of such popularity.4 Apparently, the urge to write spread to the peasant milieu before and during the First World War and the Revolution of 1917. Several factors may be considered responsible for this. First, the developing network of zemstvo and parochial schools brought education to the village in the latter half of the nineteenth century, opening up the very possibility of writing autobiographical works. Second, the war brought members of the intelligentsia in officers' greatcoats and peasants in soldiers' cloaks into close direct contact. This was the people's 'going to the intelligentsia,' as it were. Third, the war and the revolution constituted dramatic life experiences that, in the eyes of our authors, were worth recording and lent themselves to being set down in writing (this becomes particularly apparent when one reads Yaroshenko's diary). Finally, the cultural revolution of the 1920s not only brought a previously unheard of level of education to the village but also encouraged the peasant to take part in cultural life, participate in programs of folklore collection, contribute to newspapers, and so on.
What came from the pens of our authors impresses one with the freshness, range, and unconventionality of their historical palette, captivating the reader with the candor and openness with which they recount their own experience and that of the epoch. In many respects, of course, the authors are less than exact in conveying the developments and atmosphere of the time. Later impressions and experiences left their stamp (especially in the case of memoirs); perspectives changed; there was interference from Western radio broadcasts that advanced their own interpretations of events (as in the case of Alekseev, who lived 'in the back of beyond' and was therefore able to listen to the Western 'voices' without jamming, to the envy of all city dwellers). For all that, the significance of our authors' testimony for recreating the history of the 'little people' can hardly be exaggerated. The structure and dynamics of the history presented in these narratives are completely different from those familiar to us from the history textbooks. The First World War, forgotten, ignored, and overshadowed by the revolution in the minds of younger generations, appears in our narratives as an event of the greatest importance, formative for many authors. Compared with it, the Second World War, which occupies such an important place in all current historical narratives, seems no more than a reprise of what was already part of our authors' experience. In their records, the revolution appears not in the trappings of heroic uprisings, as presented in Soviet-era textbooks, but of human tragedies, while the Bolsheviks are just as criminal as other participants in the conflict - to be sure, with the proviso that they managed to establish order of a kind and even gave the peasants land. What our authors could not forgive them was collectivization and famine. Here the peasants were completely at odds with the new order and its official narrative. Their opposition became implacable, and uncovering the gap between official discourse and the actual deeds of the authorities was the principal means of intellectual resistance.
The historical vision that emerged from the authors' life experience is sometimes strikingly original. To judge by some of Alekseev's generalizations, Lenin could figure perfectly well in the 'people's history' along with Stolypin as a ruler who gave land to the peasants, while Khrushchev, for example, might be lumped together with Stalin, since peasant land and private plots were subject to restrictions under his rule. For our authors, collectivization, famine, and war were not merely the crimes of one regime or another. Those crimes had faces, and the criminals had names. The struggle with abstract evil and lies, personified by concrete individuals - fellow villagers and neighbours - was a lifelong occupation, and the behaviour of representatives of one family or another was a memory to be handed down to descendants. That was also part of the motivation for writing peasant narratives.
The materials published in the Zaporizhia collection are a unique source for the study of many aspects of twentieth-century Ukrainian and Soviet history. Of these, it is worth specifying such major themes as the family history of the Ukrainian village and the industrialized city; the history of soldiers' perceptions and everyday life during the First World War; the peasantry's attitude to the revolution and the political forces that fought one another at the time; the Sovietization and atheization of the village in the 1920s and 1930s; and the manmade famines of 1932-3 and 1947. Among other subjects deserving special attention are the campaigns of repression in the 1930s, strategies of individual survival and social resistance under Stalinism, popular loyalty towards various political and military forces during the Second World War, the cult of the Great Fatherland War in the Soviet Union, public opinion and internal opposition in the times of Khrushchev and Brezhnev, and everyday life in the USSR. This list of possible subjects whose study would certainly be aided by the material published in the Zaporizhia collection is of course far from exhaustive. It remains incomplete even today, but the future will bring new questions and approaches to which answers may be found in these sources. In the space of this chapter, it is clearly impossible to elucidate or even touch upon all the themes and subjects noted above. The task here is far more modest: to explore only one of the many themes that the sources published in this collection help illuminate.
What I have in mind is the history of the transformation of cultural and national identities in southern Ukraine. Autobiographical narratives offer a unique opportunity to reconstruct the formation of these identities, since they reflect the way of thinking of a relatively broad stratum of the region's population over a considerable period. They make it possible to raise the curtain to some extent on the making of modern Ukrainian and Russian identity and to establish, in general terms at least, the role of history and historical memory in the formation of these identities. Our authors did not set themselves the specific task of discussing problems of national identity: for some of them, the national question was of less than secondary importance, and they cared more whether their friends or opponents were peasants or workers, rich or poor, rank and file or bosses, politically nonaligned or party members, than they did about the language they spoke or the nationality to which they belonged. And therein lies the value of the narratives analysed below, for they reflect the generally unconscious or only partly articulated manifestations of a complex hierarchy of cultural identities that was only gradually being transformed into modern national consciousness.