ACKNOWLEDGMENTS
We would like to thank Eve Setch, Paul Brotherston and Stacey Carter at Routledge for their encouragement and support in this project and our contributors for writing such interesting and rich chapters.
Briony Neilson has provided absolutely invaluable assistance in putting these chapters together into a book. Our colleagues and students in the Department of History at the University of Sydney provide a congenial and stimulating environment in which to work. Finally, we gratefully acknowledge the financial support of the University of Sydney’s International Program Development Fund towards this project.The Publisher would like to thank the British Museum, Staffordshire County Council, National Library of Australia, the curator of the Banco de Credito’s collection, Ramon Mujica Pinilla, The Matson Collection at the Library of Congress, the Tropenmuseum in Amsterdam, The Royal Netherlands Institute of Southeast Asian and Caribbean Studies, The Getty Research Institute, Christie’s Images Ltd., The Clark Art Institute, The Yale Center for British Art, the State Library of Victoria and the Spencer Pryse family for their kind permission to reproduce the images in this book.
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