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Prelude

There is no impassable abyss separating the thought of the great sys­tematic thinkers - Plato, Aristotle, Thomas Aquinas, Descartes, Kant, Hegel, Marx, who each determine an epoch in the history of thought and, altogether, the course of the world thought - from the thought of the great fragmentary thinkers - Heraclitus, Pascal, Novalis, Nietzsche, who, with their aphorisms, pass like meteors between heaven and earth.

Today we take the former as ‘classical’, logical and more settled, and envisage the latter as intuitive and more tortured, even ‘accursed’. The former is considered more discursive, even scientific, the other more elliptical and poetic. What however escapes this classification are the intimate bonds that always unite, in an open and fragmentary system, continuity and dis­continuity, all the thoughts delimiting the horizon with boundaries and limits, marching and jumping on the path they follow because it imposes itself on them. Open to the blows of death, all the thinkers, guided by and guiding words, tend to approach a language that would englobe all languages, yet do not arrive at noting, lifting, recording, classifying, cat­aloguing, coordinating and elucidating everything in their words and in their writings. Partial-total moments of thought, they give themselves to the word, to thought and to writing, and appeal to past, present and future interlocutors and readers. The question for whom does one write? remains suspended, and, although governed by and obsessed by the here and now, we envision a future. Which does not mean that we write for the pleasure of a restoration which would be happy to discover you in x years. In this work of the discursive and accomplished and the aphoristic and elliptical, the two streams join again and compose a unique course, the perceptible [sensible] finding itself passably sacrificed, only managing to emerge with great pain.

The discursive - the continuous - is nonetheless also fragmentary, and the aphoristic - the discontinuous - is equally total, provided that we do not confuse aphorisms and sentences.

The illusions of the systematic and the aphoristic - separated from one another - prevent us from comprehending the secret of the aphoristic systematic, always exploded, neither systematic nor aphoristic, and both systematic and aphoristic. Thus the systematic and aphoristic encyclopaedias, integrating and interrogative, affirmative and questioning, are constructed in the game of continuity and discontinuity that poses us the question of the fragmentary system and the fragments of the totality, in the space of errant coherence, that is to say, a certain coherence. Incompleteness remains the lot of humans. Everything can be registered, commented on, explained, interpreted indefinitely - the corrections, the amendments, the additions are also unlimited - and all remains unfinished, even - if not above all - finite. There is therefore no total expression. In every way, one does not say all that passes through one’s head - and the rest - and one does not succeed in organising all the materials.

When can one then say that a book - after multiple readings - is com­pleted, achieved, finished? Wanting - essaying - to put into the world a thought that is neither simply (and illusorily) systematic nor aphoristic, neither total nor fragmentary, but encyclopaedic and elliptical, the author incites the reader to a reversible and polyscopic, relational and combina­tional, permutational and productive reading with many entrances and exits, and invites the reader to this work - to this play - where the book writes and reads itself, in the becoming of time, through the author and readers. So each fragment of the open totality requires multiple connections and applications, because the ensemble of the fragments does not constitute a chaotic and arbitrary mixture, but is coherent, leaving open the question of contingency in the combinatory play of writing and reading, consequently opening itself to mobile and aleatory readings.

In the centre of typhoons, there are zones of calm, where movement and rest gather.

It is from there that thought which surpasses convenient distinctions takes its impulse and opens itself to the world in opening it, overturning the classifications.

There are books which are written above all to be written, and there are others which before all offer themselves for reading. The book explodes. The book, which was the guarantor of the tradition and the prototype of intelligibility, has already exploded, although it continues to haunt us.

One nevertheless continues to write. For what? To the search of the author corresponds the search of readers, and to the assimilations are opposed the differences. The book of all books, the total book, does not exist and cannot exist. The dream of an automatic and global writing which would quasi-simultaneously say everything, which would unroll the whole film of thought, the course of thought saying the course of the world, and would construct the whole pyramid of what is, remains a dream for awakened sleepers. Every book obeys a structure, an ordering, in its ensemble as in its details, partakes in a rootedness and deploys itself on the horizon, contains what one could say, what one has said, and what is grasped by its readers. It implicates all the undertones and the misunderstandings, the provocation and the encouragement to read between the lines, to enter into the circle that opens and breaks itself. The end of readers is not yet consummated.


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Source: Axelos K.. The Game of the World. Edinburgh University Press,2023. — 440 p.. 2023

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