Slaughter and Celebration in a Nilotic Context
Although the culture of ancient Egypt was centred on the Nile Valley, the Upper Egyptian proto-kingdom (c. 3250-3100 bce) out of which dynastic Egypt developed was itself the child of interactions between desert dwelling groups and their Nilotic counterparts during the fifth and fourth millennia bce.
Already during the Naqada I period (c. 4000-3500 bce) - the first of a continuous sequence of cultural phases leading directly to the First Dynasty and the birth of the unified Egyptian state - representations of human conflict appear as the ritually interpreted counterparts to activities within and involving the animal world. Iconographic allusions to military activity more frequently reference the results of warfare, even the ritualised presentation of captives, than dwelling upon any specifics of the conflict itself.This early ritualisation of warfare, and its depiction, recurs throughout the iconography and literary descriptions of the roughly three millennia of the ‘pharaonic' state. Even a hymnic royal text of the late second millennium bce could blithely reference the public display of trophies of bloody conflict as counterparts of animal sacrifice in the context of the ritual setting that more often than not masks the reality of ancient Egyptian warfare: ‘How pleasant is your going forth to Thebes, / your chariot bending from the severed hands, / foreign chiefs pinioned birdlike before you'. The description of the return of the conquering pharaonic hero in the Ramesside text P. Anastasi II 5, 3-4 reveals the often fleeting recognition of violence and gore in Egyptian texts and images, almost always represented as the messy but necessary prelude to a resulting celebration of the militarily ensured triumph of Nilotic order over foreign chaos.
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