Sources
Before examining the six epic chapters in question, it is necessary to make some general observations about the textual sources. As one of the world's longest narrative poems, the Mahabharata focuses on the actions of aristocratic warriors and kings who comprise the Ksatriya class.
The main story narrates at length a multi-generational conflict between two closely related royal families, the Pandavas and Kauravas, whose fight for control of the throne culminates in an eighteen-day apocalyptic war. The five Pandava brothers are the heroic exemplars of law and order (dharma). While victorious in the end, the Pandavas at times contravene ethical and legal prescriptions by employing underhand tactics to win the war, often at the behest of their divine counsellor, Krsna. Their hundred Kaurava cousins, led by the Duryodhana, are said to embody chaos and disorder (adharma), yet during their unlawful reign the kingdom prospers and they also uphold the ideals of fair fighting.[1272]As the twelfth book of the epic, the Santi Parvan contains an enormous amount of information on governance, ethics and issues of law and its enforcement. The section entitled ‘Law, Force, and War' (MBh 12.93-107) replicates the larger framing device of the Santi Parvan since it presents an ongoing conversation at the war's end on dharma between the eldest Pandava brother and newly consecrated king, Yudhisthira, and his grand- fatherly patriarch, Bhisma. Throughout the epic, and especially in its twelfth book, arguments are made for just war in contrast to unjust war under the broad heading of rajadharma. The epic also prescribes rules of chivalrous fighting for members of the warrior class under the heading of ksatriyadharma. Issues of jus ad bellum and jus in bello are directly addressed in MBh 12.93-7, yet the idealistic rules of warfare are frequently circumvented by prescriptions that allow a king to use ‘crooked' (vakra) strategies which ‘slightly squeeze the law' (MBh 12.101.1): a fact underscored by Kona's sustained advice to the Pandavas elsewhere in the epic.[1273] In addition, while the epic accounts of violence are heavily romanticised, especially in terms of the superhuman nature of its main characters, the information in the Santi Parvan has a clear didactic purpose as the episodes communicate messages about how real kings and warriors should act, often in situations where the right course of action is unclear legally or ethically.
Prescriptions about warfare also appear in legal texts called generally Dharmasutras (‘Treatises on Law').
One such text called the Manava Dharmasastra (MDhS) was composed at the beginning of the Common Era by an orthodox Brahman named Manu, who proclaimed honourable warfare the ‘eternal duty/law of warriors' (MDhS 7.98b: yodhadharmah sanatanah). A similar sentiment is expressed in the Mahabharata, which quotes Manu as saying ‘war must be waged according to law' (MBh 12.96.14a: tasmad dharmena yoddhavyam). The point here is that the Manava Dharmasastra provides parallel information on warfare as well as detailing ethical prescriptions for warriors (see especially MDhS 7.87-98). Furthermore, Manu drew on the Arthasastra in his discussions of kingship.[1274] Composed in the first centuries of the Common Era and attributed to a single author, Kautilya, the Arthasastra is a practical manual on statecraft which contains extensive information for kings and ministers on diplomacy, governance and war.[1275] As will be seen, some of the broader didactic messages contained in the six epic chapters correspond thematically with advice given to kings in the Arthasastra on how to encourage troops to fight and die in battle. These sources are thus attestations of a shared cultural milieu evinced by ideologically motivated thinkers who express a direct concern with shaping the identity of warriors and the ideals of heroism for military and political ends around the turn of the Common Era in India.
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