The Ideology of Empire
From an ideological point of view, Egyptian self-representation was that of the center of prosperity and cosmic order, in sharp contrast with the poverty, chaos, and danger prevailing abroad.
Consequently, the cosmic mission of the pharaohs consisted in preserving and extending the realm of the maat (order) by destroying any menace or enemy. Foreign populations were thus required to recognize the authority of the pharaoh in order to survive, but their beliefs, ways of life, and social organization were usually respected in the absence of a true policy of “Egyptianization.” In fact, while foreign populations were usually depicted in stereotyped, negative terms, beyond the restricted domain of artistic and literary conventions, foreigners could apparently easily integrate into Egyptian society and even rise to eminent positions. Monumental stelae and inscriptions symbolically marked the limits of the king's authority, but they should not be regarded as the true empire's frontier, even as markers of effective direct rule.[114]Tribute was the conventional expression of Egypt's asymmetrical relations with its neighbors, which conveyed notions of submission, recognition of Egyptian rule, integration within the ordered world, as well as the proper transfer of wealth toward its center (i.e., Egypt) and to the representative of the gods on earth (i.e., the pharaoh).[115] However, the expansion of empire, especially during the New Kingdom, motivated deep transformations in the self-representation of the king. A more militaristic ethos appears in iconography and in literature, and it is quite possible that the closer contacts cultivated with foreign powers, as well as military reversals that were inevitable over so extended a period of time, caused Egyptians to critically re- evaluate the role of the king himself. For instance, the emergence of the “personal piety” genre at that time has been interpreted as a reaction against increasing state corruption and a growing conscience of the limits of royal power.[116] However, conventional scenes continued to represent the king smiting his enemies, fighting foreign armies, and receiving tribute, even when no true campaign, conquest, or military encounter had really taken place.
Still, these scenes' powerful imagery—symbolic of the pharaoh's cosmic responsibilities—justified their continuous use for millennia.Bibliography
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